Mothra vs. Godzilla

Genre: 
Fantasy · 
Action · 

Release Date: April 29, 1964

Original name: モスラ対ゴジラ

Status: Released

Running time: 1h 29m

Revenue: $10,000,000

Filming Locations: Japan

5.49
/ 10
78 User Ratings

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Network & Production Companies
Toho Company, Ltd.
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Plot.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

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Wiki.

Mothra vs. Godzilla (Japanese: モスラ対ゴジラ, Hepburn: Mosura tai Gojira) is a 1964 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the fourth film in the Godzilla franchise. The film stars Akira Takarada, Yuriko Hoshi, Hiroshi Koizumi, Kenji Sahara, and Emi and Yumi Itō, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, humans beseech the aid of the insect god Mothra to stop Godzilla from destroying Japan. Due to the success of Mothra (1961) and King Kong vs. Godzilla (1962), Toho chose to pair Godzilla against Mothra for the following film. The film was intended for children as well as adults, as a way to compete with television's growing popularity in Japan. A new Godzilla suit and Mothra prop were built although the 1962 Godzilla suit was used for water scenes. At Tsuburaya's insistence, Toho purchased an Oxberry 1900 optical printer to remove damages in composite photography shots. It is the final film in the franchise's Shōwa era to depict Godzilla as the antagonist. Mothra vs. Godzilla was released theatrically in Japan on April 29, 1964. An edited version titled Godzilla vs. the Thing was released by American International Pictures in the United States on August 26, 1964. The film received generally positive reviews from early and contemporary American critics. American film historians have praised the film's themes of unity, greed, and Honda's depiction of Godzilla as a "specter of nuclear annihilation" and a symbol of moral judgement.The film was followed by Ghidorah, the Three-Headed Monster, released on December 20, 1964.
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