I Am Cuba (Spanish: Soy Cuba; Russian: Я - Куба, Ya – Kuba) is a 1964 political drama propaganda anthology film directed by Mikhail Kalatozov at Mosfilm. An international co-production between the Soviet Union and Cuba, it was not received well by either the Russian or Cuban public and was almost completely forgotten until it was re-discovered by filmmakers in the United States thirty years later. The acrobatic tracking shots and idiosyncratic mise-en-scène prompted Hollywood directors like Martin Scorsese to begin a campaign to restore the film in the early 1990s.

I Am Cuba is shot in black and white, sometimes using infrared film obtained from the Soviet military to exaggerate contrast (making trees and sugar cane almost white, and skies very dark but still obviously sunny). Most shots are in extreme wide-angle and the camera passes very close to its subjects, whilst still largely avoiding having those subjects ever look directly at the camera.