The Man from London (2007)
May 23, 2007Release Date
The Man from London (2007)
May 23, 2007Release Date
Plot.
Where to Watch.
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This Movie Is About.
Cast & Crew.
Miroslav Krobot
Maloin
Tilda Swinton
Camélia
János Derzsi
Brown
Ági Szirtes
Mrs. Brown
Gyula Pauer
Kocsmáros
Erika Bók
Henriette
István Lénárt
Mihály Kormos
Kati Lázár
Éva Almássy Albert
Ágnes Kamondy
Béla Tarr
Screenplay / Director / Associate Producer
Georges Simenon
Novel
László Krasznahorkai
Screenplay
Mihály Víg
Music
János Hevesi T.
Executive Producer
György Kovács
Sound Designer / Sound Re-Recording Mixer
Miriam Zachar
Co-Producer
Gábor Téni
Producer
Hervé Redoules
Set Decoration
Joachim von Vietinghoff
Producer
Michael J. Werner
Executive Producer
Péter Brill
Art Direction
Ágnes Hranitzky
Production Design / Editor / Co-Director
Humbert Balsan
Producer
Gábor ifj. Erdélyi
Supervising Sound Editor
László Rajk
Production Design
Paul Saadoun
Producer
Murielle Damain
Production Sound Mixer
Christoph Hahnheiser
Producer
Lajos Szakácsi
Executive Producer
Béla Zsolt Tóth
Set Decoration
Media.
Details.
Release DateMay 23, 2007
Original NameA Londoni férfi
StatusReleased
Running Time2h 19m
Genres
Wiki.
The Man from London (Hungarian: A londoni férfi) is a 2007 Hungarian film directed by Béla Tarr and Ágnes Hranitzky. It is an adaptation by Tarr and his collaborator-friend László Krasznahorkai of the 1934 novel L'Homme de Londres by prolific Belgian writer Georges Simenon. The film features an international ensemble cast including Czech actor Miroslav Krobot, Briton Tilda Swinton, and Hungarian actors János Derzsi and István Lénárt. The plot follows Maloin, a nondescript railway worker who recovers a briefcase containing a significant amount of money from the scene of a murder to which he is the only witness. Wracked by guilt and fear of being discovered, Maloin sinks into despondence and frustration, which leads to acrimony in his household. Meanwhile, an English police detective investigates the disappearance of the money and the unscrupulous characters connected to the crime.
The French, German and Hungarian co-production of the film was fraught with difficulty and obstacles. The first of these was the suicide of the film's French producer, Humbert Balsan in February 2005, days before shooting was due to begin. As the original financing of the film collapsed, the remaining producers managed to secure stop-gap funding which allowed them to shoot nine days of footage on the expensive Corsican sets, until they were shut down through legal action by the local subcontractor. After many expressions of support from European film organisations, production companies and government bodies, a new co-production contract was signed in July 2005 with a revised budget and shooting schedule. It then emerged that all rights to the film had been ceded to a French bank under the original production agreement, and only after further changes in the film's backers was a deal struck with the bank to allow shooting to resume in March 2006, over a year later than had been originally envisaged.
The Man from London was the first of Tarr's films to premiere in competition at the Cannes Film Festival, but despite being highly anticipated, it won no prize. The French distributor blamed this on poor dubbing and a late showing, though the press was put off by the film's extended shots and leaden pace. After being re-dubbed, it was shown on the international film festival circuit.
Critical reception to The Man from London was generally positive, though less adamant than that of the director's previous two works; while reviewers spoke in glowing terms of the formidable cinematography and meticulous composition, they felt the film lacked compelling characters. Variety reviewer Derek Elley commented that the film was unlikely to reconcile the division between viewers of Tarr's films who find the director to be "either a visionary genius or a crashing bore".